Near Vertical Incident Skywave (NVIS) Antennas

HF emergency communications or otherwise, contact stations within the skip zone.

A previous post details Robert VA7FMR’s experiences with a dipole using Hamsticks and a dual bracket. Here is additional information on them and Near Incident Vertical Skywave (NVIS) antennas using Hamsticks. 

SEPAR and many like organizations may be called upon in an emergency to provide ancillary communications for emergency services or primary communications for those emergency service partners who do not have RF communications systems of their own, ESS, The Red Cross and Salvation Army, to name just a few. It is a given that the first stations will be on the higher bands above 50 MHz. Anyone with a Basic License may operate within that spectrum. This should provide reliable communications with modest antennas within the Lower Mainland—no, not just with a handheld and a rubber duckie. Even if many of the local repeaters fail, we should manage to set up a decent network within a few minutes to hours. But what if reliable communications are required for longer distances, for example  to Kamloops or to Seattle, or beyond? VHF and above may not be able to span that distance without gain antennas, placed high with at least 50 Watts of power. HF will be the ‘goto’ bands. We may not need a 60 foot or higher tower to communicate effectively either—this is where NVIS becomes an important emergency communications antenna, especially in the field.

If you recall the antenna theory that you should have picked up in your Basic course, you know that the orientation (horizontal, vertical or somewhere in between) of an antenna will affect its radiation pattern. Much like bouncing a ball off a wall. The greater the angle, the greater the distance the ball bounces away from you. Throw it straight at the wall and it should come pretty close to you on its way back. The same general idea applies to the NVIS antenna. If we cause the RF wave to travel nearly straight up or at a slight angle, it will reflect off the ionospheric layers and come back close to our point of origin. So, if we want to communicate on HF with stations within about 1,500 Kms, we use an antenna that radiates primarily straight up. A DXer on the other hand prefers to talk to stations far away, with a few hops, the farther the better, so DX antennas radiate at angles primarily horizontally to bounce and skip back off the ionosphere for the greatest distance. 

So, the NVIS antenna is one that provides the majority of its radiation at an extremely high angle. That is to say the major lobe is between 75 and 90 degrees to the earth's surface. This will provide excellent omni-directional communication out to a distance of up to about 1,500 Kms with no skip. The maximum frequencies involved will be as low as 1.8 MHz under very poor conditions to as high as 14 MHz under excellent conditions, with the most usable being between 3.5 MHz (80M) and 7.3 MHz (40M).

To summarize, NVIS works for frequencies lower than the vertical incident critical frequency—the highest frequency for which signals transmitted vertically are reflected back down by the ionosphere.  At or below the critical frequency the ionosphere will reflect an incident signal arriving from any angle, including straight up. Because the critical frequency is low, you must usually operate 40, 80 or 160 meters or possibly 30 meters to use NVIS propagation.

Under most conditions you can easily obtain coverage on one of these bands from zero to 350 miles or more with no skip zones. On 75 meters with 100 W and an antenna 15 feet high, contacts with stations over 1000 miles away with excellent signal reports are not uncommon. 

These are the characteristics we look for in an emergency-ready HF antenna for distances up to about 1,000 miles… No skip, easy set-up and take down and reasonably reliable communications.

When I first started looking at the NVIS antenna for "local", primarily emergency communications, the consensus seemed to be that it was a dipole-type antenna, near 1/8th wave at the operating frequency, above the ground. I purchased a set of HamSticks, mounted as a dipole, for this purpose as I was operating from a vacation area surrounded by high mountains.  NVIS antennas are commonly used by the military, as their needs fit these characteristics. There is an excellent, though technical article at https://region6armymars.org/downloads/NVIS-Antenna-Theory-and-Design.pdf

Every horizontal antenna has an NVIS component in its radiation. Similarly, every horizontal antenna has a component that is most useful for DX. Your decision then is to pick the configuration that either favours or optimizes the properties you want.  Reliable local communication on HF dictates NVIS. How then do we determine what NVIS antenna will best suit our needs?  Let’s examine the parameters that have a significant effect in antenna performance. This is information on how to make it work reasonably well, NOT a graduate degree treatise on the theory of NVIS.

Height above ground

The antenna height above ground seems to be the single most controversial subject in discussion of NVIS antennas. Some say anything below 1/4 wave works. Others say anything below 1/8th wave and yet others say ten to fifteen feet works very well. You will note that there is negligible difference in antenna gain between 1/8 wave and 1/4 wave height. There is however a significant difference in the logistics of placing an antenna at 70 some feet in the air versus 35 feet in the air.

Antenna guru L.B. Cebik (W4RNL), writing about NVIS antenna elevation, explains that the height, in the 1/8 to 1/4 wave length above ground, has very little difference in gain. In fact, if you roll in the next parameter, ground (detailed below), height can easily have much less effect than ground.

The Near Vertical Incident Skywave (NVIS) antenna is a half-wave dipole antenna, configured straight or as an inverted vee, mounted not over 1/8th wave above ground (at the highest operating frequency). While 1/8th wave works reasonably well, better coverage is obtained if the antenna is mounted at about 1/20th wavelength above ground. A second advantage of lowering the antenna to near 1/20th wavelength is a lowering of the background noise level. At a recent ARRL Section Emergency Test, communication on 75 Meters was started with a dipole at approximately 30 feet. They found communication with some of the other participants to be difficult. A second 1/2 wave dipole was built and mounted at 8 feet off of the ground. The background noise level went from S7 to S3 and communications with stations in the twenty-five and over mile range were greatly enhanced. Simply stated, you want as much of your signal going up as possible and ten to fifteen foot height has shown to function very well. It was also found that a network of stations, all using NVIS antennas experienced much stronger local signals.

Ground

Yet another consideration is the "quality" of the ground below your antenna. By this we mean the conductivity of the ground you are operating above. For any given height (1/4th wave length or less) poor conductivity will attenuate up to 3db more of your signal than high conductivity soil. A documented example is the ARES installation in Longmont, CO at the Emergency Operations Center. That antenna is mounted ten feet above a flat roof. The base for the roof is a grounded steel plate. This antenna consistently performs as well or better than any other in the state. The reason is simple; A full sized resonant dipole antenna mounted ten feet above an excellent ground.

A specific example of how well the Longmont EOC antenna works is one Sunday when testing the antenna, a local ham tried his Yaesu FT-817 running on the internal battery pack. As most know, that configuration produces 2.5 watts PEP maximum output. At that power level he received a signal report from NCS in Colorado Springs (90 miles South) of S9+10db, on 75M just before the net started.

Another example of how the conductivity affects your signals comes from Colorado where they regularly use NVIS antennas on 60M to communicate across the Continental Divide. Doing this on a twice weekly basis for several years now they have established a base-line for comparison. The week of 23 September 2004 they had a slow moving rain storm that put down more than one inch of rain, spread almost evenly over about 36 hours. For those that have thirty to fifty inches of rain per year, that would not be much. In Colorado that is one-fifteenth of their total annual precipitation. After the rain, under less than optimal band conditions, signals were UP 6 to 10db!

The chart by L.B. Cebik's (W4RNL) shows that any NVIS, above excellent ground, out performs an antenna above good ground at optimal height! Hmmm, does that imply that we have found the single most important parameter in NVIS?

Ground wire

Yet another approach is to run a "ground" wire at the surface where the antenna is mounted. A good discussion on this is found at an Australian site by Ralph Holland. He did some research on 160M and found that a ground wire at .02 to .06 wave lengths below the driven element produced the best gain. That translates to about 5 to 15 feet at 75M which would be consistent with the heights seen that have  produced the best NVIS performance. Others claim at least a 6db improvement with this same approach.

Experimenters  also notice an improvement if  you "water" the ground just prior to operation. Pour about one gallon of water on the ground around the ground rod or wire. If it seeps in very quickly, go get another gallon. This has made a noticeable improvement in both transmit and receive signals. 

Counterpoises

The high angle radiation of a dipole (or inverted vee) can be enhanced by adding a counterpoise wire below it, about 5% longer than the main radiating element, to act as a reflector. The optimum height for such a counterpoise is about .15 wavelengths below the main radiating element, but when the antenna is too low to allow for that, a counterpoise laid on the ground below the antenna is still effective.

A knife switch at the center point of the counterpoise can be used to effectively eliminate the counterpoise from the antenna system. This technique is useful for using a dipole for NVIS and longer distances, too. A counterpoise is installed at ground level, or as high as the switch can easily be reached, and a dipole is mounted .15 wavelengths above the counterpoise. When the switch is closed, the vertical gain will increase, and the noise levels will drop. When the switch is open, lower angle gain will increase, improving the antenna's performance for non-NVIS use.

Dual Ham-Stick

This is a portable antenna on a 5-foot mast that does well under ARES/RACES operating conditions. One person can put this up and have it operational in under five minutes! A side advantage of this antenna is its comparatively small size. It is only sixteen feet in length, which makes it much more reasonable for temporary installations.

‘HamStick’ antennas may be paired to make a very usable dipole antenna.
Mounting height will affect  the radiation pattern and therefore propagation.

Above, a typical HamStick and adjustable whip and the dual mount that makes it a dipole with directivity

. 

Inverted Vee

A dipole's close cousin, the inverted vee, is another good NVIS antenna which can be even simpler to support. An inverted vee will work almost as well as a dipole suspended from a slightly lower height than the apex of the inverted vee, so long as the apex angle is kept gentle—about 120 degrees or greater. An inverted vee is often easier to erect than a dipole, since it requires only one support above ground level, in the center.

This design has been successful for the author. It was developed by Dr. Jelinek and is in commercial use by the Armed Forces.

How do I select a frequency for NVIS operation?

The selection of a optimum frequency for NVIS operation depends upon many variables. Among the many variables are time of day, time of year, sunspot activity, type of antenna used, atmospheric noise, and atmospheric absorption. To select a frequency to try, one may use recent experience on the air, trial and error (with some sort of coordination scheme agreed upon in advance), propagation prediction software like VOACAP, near real-time propagation charts (available on the Internet) showing current critical frequency, or even just a good educated guess. Whatever the strategy used for frequency selection, it would probably be best to be prepared with some sort of "Plan B" involving communicating through alternate channels, or following some pre-arranged scheme for trying all available frequency choices in a scheduled pattern of some sort.

http://webclass.org/k5ijb/antennas/NVIS-low-antenna-regional-communications.pdf

A NVIS antenna on a wartime military vehicle.

Finally, this is also an antenna that should be in the ‘kit’ for Field Day or contests. We usually concentrate on working any and all stations however, skip actually works against us when it eliminates many potential contacts up to 1,000 miles or so. The ability to switch to an NVIS antenna will bring in those stations within the skip zone and enhance the score. This strategy has helped us place first in Canada in our 3A Field Day category for several years.

~17/10

Back to Basics: What is dBi?

Decibels often make our students' eyes glaze over...

The question:

B-006-009-010 The gain of an antenna, especially on VHF and above, is quoted in dBi. The "i" in this expression stands for:

   A. isotropic
   B. ideal
   C. Ionosphere
   D. interpolated

There are a couple of questions in the Basic Question Bank that relate to decibels and to antenna gain measurements. This specific question involves two concepts, measurement in decibels and isotropic antennas.

The decibel (symbol: dB) is a logarithmic unit used to express the ratio of one value of a physical property to another, and may used to express a change in value (e.g., +1 dB or -1 dB) or an absolute value. In the latter case, it expresses the ratio of a value to a reference value; when used in this way, the decibel symbol should be appended with a suffix that indicates the reference value or some other property. For example, if the reference value is 1 volt, then the suffix is "dBV" (i.e., "20 dBV"), and if the reference value is one milliwatt, then the suffix is "dBm" (i.e., "20 dBm"). For Basic exam purposes, it is important to know that +3dB is a doubling and –3dB a halving of a value. For example, question B-006-009-011 asks about the front-to-back ratio of a beam antenna.

The definition of the decibel is based on the measurement of power in telephony of the early 20th century in the Bell System in the United States. One decibel is one tenth (deci-) of one bel, named in honor of Alexander Graham Bell; however, the bel is seldom used. Today, the decibel is used for a wide variety of measurements in science and engineering, most prominently in acoustics, electronics, and control theory. In electronics, the gains of amplifiers, antennas, attenuation of signals, and signal-to-noise ratios are often expressed in decibels.

An isotropic radiator [pictured on the left] does not exist, it is a theoretical point source of electromagnetic or sound waves which radiates the same intensity of radiation in all directions. It is a point in space. It has no preferred direction of radiation. It radiates uniformly in all directions over a sphere centered on the source. Isotropic radiators are used as reference radiators with which other sources are compared, for example in determining the gain of antennas. 

In electromagnetics, an antenna's power gain or simply ‘gain’ is a key performance number which combines the antenna's directivity and electrical efficiency. In a transmitting antenna, the gain describes how well the antenna converts input power into radio waves headed in a specified direction. In a receiving antenna, the gain describes how well the antenna converts radio waves arriving from a specified direction into electrical power. When no direction is specified, "gain" is understood to refer to the peak value of the gain, the gain in the direction of the antenna's main lobe. A plot of the gain as a function of direction is called the radiation pattern.


Antenna gain is usually defined as the ratio of the power produced by the antenna from a far-field source on the antenna's beam axis to the power produced by a hypothetical lossless isotropic antenna, which is equally sensitive to signals from all directions. Usually this ratio is expressed in decibels, and these units are referred to as "decibels-isotropic" (dBi). An alternative definition compares the received power to the power received by a lossless half-wave dipole antenna, in which case the units are written as dBd. 

Directive gain or directivity is a different measure which does not take an antenna's electrical efficiency into account. This term is sometimes more relevant in the case of a receiving antenna where one is concerned mainly with the ability of an antenna to receive signals from one direction while rejecting interfering signals coming from a different direction.

The answer to our initial question therefore is 1. isotropic.

~ John VE7TI
  17/10

The May-Jun 2020 Communicator

80 Pages Of Projects, News, Views and Reviews... 

Amateur Radio News from the South West corner of Canada and elsewhere. You will find Amateur Radio related articles, profiles, news, tips and how-to's. You can view or download it as a .PDF file from:  

http://bit.ly/SARC20MayJun

As always, thank you to our contributors, and your feedback is always welcome. The deadline for the next edition is June 21st.

If you have news or events from your BC club or photos, stories, projects or other items of interest from elsewhere, please email them to communicator@ve7sar.net

Keep visiting our site for regular updates and news: https://ve7sar.blogspot.ca    

73,

John VE7TI
'The Communicator' Editor

More About Antennas, And How To Hide From Apartment Managers

Working the world from my apartment balcony

This type of antenna works well mounted horizontally or vertically, high as a dipole or low as an NVIS antenna for emergency use. -Ed.

Last time, I told you of my costly experiences trying to install an antenna on my 3rd floor apartment balcony. Like many people, I live with antenna restrictions and the management of most complexes have rules regarding what can and can not be placed on the patio. My apartment management is no exception. 

In the previous article, I mentioned the high cost of antennas that claimed super abilities but failed to perform as claimed. I now know, to my cost, that a long wire antenna is about the best you can get but not apartment patio friendly. During one of my recent searches on the Internet for an antenna that would work at my apartment, I found an item about a fellow that was using two reasonably affordable car antennas assembled as a center fed dipole. At the next Saturday morning coffee meeting, I mentioned it to one of the other club members. Low and behold, he mentioned that he had built one using ‘HamStick’ antennas for camping and RV'ing and it performed in a very satisfactory manner. 

When taken apart, which takes only a few minutes, it is very light and very portable. He mentioned that he was not, at the moment, using it. "Would you like to borrow it for a while?" As this was my first opportunity to 'Try before I buy' I jumped at the chance and arrangements were made to pick up the antenna at his earliest convenience. I arrived home at about mid day and was soon out on the patio deck fixing the mount to my portable mast. The mount has two studs instead of the usual one. One stud is the type that grounds itself to the mount and the other faces in the opposite direction and is of the usual coax connector type. The antennas themselves are the MFJ HamStick types, a 48” fiber glass rod wound with the appropriate wire coil for the band you wish to work. They are available for the common Ham bands, and in my case, it was wound for 20 meters. There is a 48” wire whip (sometimes called a 'stinger') that is inserted into the end of the fiber glass rod and is moved in or out to tune the SWR of the frequency you are using. My friend had very conveniently marked the spot to where the two whips should be inserted, which made it very easy for me to get things up and running. I soon realized that a horizontal dipole can be rotated just like a beam antenna, My patio is about 12 feet wide and the assembled antenna is about 16 feet long so only 4 feet of the second whip extends from the end of my patio. My patio faces East so I rotated the antenna to face about South of East.

Since a dipole is Balanced and Coax is Unbalanced, a 1 to 1 Current Balun should be used at the antenna end of the coax or RF will migrate down the Coax braid and could cause painful RF burns to the hands or fingers and create havoc with Computers, TVs and other electronic gear in the room.

I soon had the Coax connected to my radio and I found that the SWR was no more than 1.5 to 1 across the 20 Meter band. With little hope of success, I turned on my radio and started to tune up the 20 Meter band. Suddenly, my speaker loudly announced a CQ call. The caller informed those he hoped were listening that he was located 25 miles North of Cincinnati in the State of Ohio. I answered his CQ call but to my disappointment, he answered another caller. I looked at my power output and found that it was set at only 50 Watts. I hurriedly increased to 100 Watts, to be ready for my next call. Again, to my surprise before I could repeat my call, he said, “I now have VA7FMR” so he had heard me after all, on only 50 Watts. He was not calling in a contest so we had a great chin wag and he was very surprised that I had called on a whip dipole with only 50 Watts. My next contact was a CQer in Hawaii. 

So, for about $150 Canadian you too can have a great dipole Antenna on your Patio that you can rotate as much as your patio permits and no one will notice. I have been using this antenna now for about 2.5 weeks and I have spoken to the apartment manager and he has not mentioned that he had even noticed the antenna. None of my neighbors have mentioned it, nor have they made any complaints. Since you already have the mount and other gear, all you need to change bands is another two stick antennas for say 40 or 80 , meters and it would only take a few minutes to change bands. I have an antenna tuner so I thought that I would try 10 meters and it worked like a charm. I then tried the antenna tuner on the 40 meter band, again with great success. When you are tuning the antenna, tune it for the lowest SWR on the center frequency of the band you are working. That should give you a decent SWR all across the band.

In another article I wrote regarding the purchase of equipment and the need for caution when selecting suppliers, you may remember the digital interface that I purchased because it sounded so good on the manufacturers web page and after it was purchased found it impossible to set up because of the lack of information from the manufacturer. His after sale service was equally bad since he provides none and would hang up the telephone if you asked a question about something not covered in his so called manual. I must admit that parts of the above problems were because of my inexperience and lack of knowledge of the setup procedures of software such as MMTTY, N1MM+ and FLDIGI. There are dozens of settings in each of these pieces of software and since they are used together, if you make a mistake in one of them, the whole fandangle does not work. My experience setting up a SignaLink sound card has given me hope that I may yet get that $275 boat anchor working. I have had success using it for CAT control and a degree of success with CW. My next adventure will be integrating MMTTY with FLDIGY and getting digital to work on it. The most difficult part of my entry into the World of Amateur Radio has not been with the radio equipment that I use, it has been the computer software that actually controls the radio and the sound card and the integration of the three, computer, Radio and sound card. Of course, without an antenna, nothing would work. If there is one piece of advise that a greenhorn like myself could pass on to you, it is, “Never give up” I have spent literally days on the internet and gleaned tons of information that has allowed me to improve my knowledge and understanding of many things in this great Hobby of ours. I hope you learn to enjoy it as much as I do!

~Robert VA7FMR   

Audio Patchbays For Your Ham Station Set-up

Easily patch audio between rigs and accessories

If you're tired of climbing behind your station, and finding the right cable or outlet every time you want to use a piece of gear or an audio accessory connection, it may be time to find yourself a patchbay. A patchbay is a central audio connection area for all the gear in a station that allows any connection to or from equipment to be made in one location with a standardized cable and connector. Patchbays not only save time and headaches, they allow you to easily perform a number of mix tricks that would take serious head-scratching otherwise.

I like a clean station set-up without multiple speakers cluttering up my work area. All my gear is mounted in standard 19-inch rack on top of my desk (see https://ve7sar.blogspot.com/2019/08/bringing-order-to-chaos.html). I found a ProCo patchbay on eBay and I have used it at my home station for a number of years. My four transceivers are routed through them, as are my computers and, when I need it,  recording gear or the stereo output from my computer when I'm listening to some tunes. I even have my foot switch routed through my patch bay so that I can use it with any of my HF transceivers. You could also patch a CW key to multiple transceivers. Patchbay jacks are monoraul (mono), so you will have to pair jacks if your use is for stereo, but usually that is not a concern in Amateur Radio. 

All of the audio outputs and mic inputs route through the back of the ProCo. From there I can select one or more speakers, headphones or a recording input by using a short patch cable with standard 1/4-inch jacks. I have several compatible mics that are also adapted for use through the patchbay, and that is generally as simple as using a 1/8 to 1/4-inch audio adapter or changing from an XLR to 1/4-inch adapter. 

ProCo PM148 Front. It fits in a standard 19" rack.

ProCo PM148 Rear

Patchbays are very simple, once you understand their purpose. They let you easily change the way your audio gear is connected, and to easily restore your standard operating setup just by removing all of the plugs from the front of the patchbay. This means that the patchbay must have some way of remembering what your standard operating methods are.

A standard patchbay is divided into a number of columns of pairs of jacks, each one containing one monaural patch point. Usually a patch point consists of an output from one device and an input to another device. How they are connected depends on how you normally use your station. With this in mind, there are four different ways patch points can be connected. Notice that the following diagrams show all combinations of jacks being inserted or removed from the front panel:

OPEN

Patchbay Open configuration

The open configuration never makes a connection from the top jacks to the bottom jacks. Notice how the two circuits are always kept separate.

This is useful for connecting a normally unused inputs to the patchbay. The bottom front panel jack becomes the send and the top jack becomes the return.

Example: recording devices

NORMALLED

Patchbay Normalled configuration

The normalled configuration makes a connection from the top jacks to the bottom jacks whenever no plugs are inserted into either front panel jack. Notice how inserting a plug in either front panel jack breaks the connection between the top and bottom circuits.

This is useful for connecting a source that should not have more than one load, such as a dynamic mic. The mic comes into the back of the top jacks and the feed to the preamp is at the bottom. Inserting a plug in the top front jacks diverts the mic signal for use elsewhere, while preventing the mic from being loaded down. Inserting a plug into the bottom jack allows a different signal to feed the preamp.

By using both jacks, you can insert a mic-level effect between the mic and the preamp.
Examples: microphones, high impedance outputs

HALF-NORMALLED

Patchbay Half-Normalled configuration

The half-normalled configuration makes a connection from the top jacks to the bottom jacks whenever no plug is inserted into the bottom front panel jack. Notice how inserting a plug in the bottom front panel jack breaks the connection between the top and bottom circuits, but inserting a plug in the top front panel jack does not.

This is useful for connecting a normal signal flow from one piece of equipment to another, while allowing the connection to be tapped off of or replaced if needed. Inserting a plug in the top front jacks taps the signal for use elsewhere while letting the normal connection still pass signal. Inserting a plug into the bottom jack allows substituting a different signal while removing the normal signal flow.

By using both jacks, you can insert an audio stream into the signal path.

Examples: mixer to monitor amp, direct out to recorder in

PARALLEL

Patchbay Parallel configuration

The parallel configuration always makes a connection from the top jacks to the bottom jacks. Notice how the two circuits are kept together, and that both front panel jacks are outputs.

This is useful for connecting an output, which is normally connected to one input, to several different inputs at once. Both jacks can send the signal to places where it is needed.

Examples: mixer outputs, monitor feeds, audio duplication tap points






Balanced patchbays have a second set of connections on each patch point for the Ring terminal, which are wired identically to the connections for the Tip terminal that are shown in the diagram. But before the TRS plug was developed, paired plugs were made with one handle, so they fit into two adjacent patch points for balanced signals. Some of these are still around.

My ProCo Patchbays has switches on each patch point, to select whether the patch point is Open, Normalled, Half-normalled, or Parallel. Some patchbays must be removed from the rack to change the switches. Other models require soldering to change each jack's configuration... Avoid those!

USING THE PATCHBAY

For most audio patching, two setups are used most often:

The first setup is the normal audio chain. For this setup, the output of each component in an audio chain is brought to the rear input of one patch point. The input of the next component in the chain is connected to that patch point's rear output. The patch point is set up as Half-normalled. The normal connection is maintained whenever plugs are not inserted into front jacks of the patch pair.

Inserting a plug in the upper front panel jack allows you to split the signal off in two directions.

Inserting plugs in both front jacks allows you to insert another component in the chain.

By inserting a cable in the front output jack of one patch point, and the front input jack of the next patch point downstream, you can remove a component from the audio chain. You can then connect cables to the remaining jacks of those patch points and use the removed component somewhere else (nifty use!).

The second setup is the isolated component. Bring its output to the top jack on the rear, and its input to the bottom jack on the rear of the same patch point. Set the patch point up as Open. This component is disconnected until needed, but takes up only one patch point, rather than the two that would otherwise be used.

Although it takes interconnection some planning at first, patchbays can make your station cleaner and your operating easier by keeping you from having to reach around behind gear to reconnect equipment frequently. They also make it super-easy to restore your most-often used configuration. All you do is pull all of the patchcords out of the front panel, and you are back to standard operation.

For more information on audio patching, there is a YouTube video at: https://youtu.be/L5LqR3Lqy5s?t=389 and for some ideas on RF patching see this great example: 

https://www.nk7z.net/rf-patch-panel/

~

“Get on the Air on World Amateur Radio Day” Special Event: Saturday, April 18

On Saturday, April 18, 2020 (1200Z to 2359Z), Radio Amateurs of Canada is organizing a special on-air event to celebrate World Amateur Radio Day. https://www.rac.ca/get-on-the-air-on-world-amateur-radio-day-event/ Every year on April 18, Radio Amateurs worldwide take to the airwaves in celebration of Amateur Radio and to commemorate the formation of the International Amateur Radio Union (IARU) on April 18, 1925. World Amateur Radio Day is the day when IARU Member-Societies can show our capabilities to the public and promote global friendship among Amateurs worldwide. The theme of World Amateur Radio Day (WARD) is “Celebrating Amateur Radio’s contribution to Society” and this is especially relevant given the important role Amateur Radio will play as the current global crisis unfolds. IARU President Tim Ellam, VE6SH, provided the following message: “As I write this the world is in the midst of battling the COVID-19 crisis. A few short weeks ago many of us could not imagine the levels of isolation that we are now dealing with and the sacrifices of many on the frontlines of the pandemic. As we have done in past challenges to our society, Amateur Radio will play a key part in keeping people connected and assisting those who need support. Having come off my own 14-day isolation after returning from an overseas trip, I am touched by the kindness of strangers who assisted me when I was unable to leave my house. It strikes me Amateur Radio operators, who give so much during these times of crisis, are not limited to assisting over the air. Amateurs are true volunteers and I would encourage everyone to assist in the community as they are able to. My wish for this World Amateur Radio Day is for everyone to stay safe, follow the advice of medical professionals and use Amateur Radio and your skills to help us through this crisis.” Radio Amateurs of Canada has decided to hold a new “Get on the Air on World Amateur Radio Day” special event in which we encourage as many Amateurs as possible to get on the air and contact as many RAC stations as possible. RAC official stations will operate across Canada from 1200Z to 2359Z on April 18. The RAC official station call signs are VA2RAC, VA3RAC, VE1RAC, VE4RAC, VE5RAC, VE6RAC, VE7RAC, VE8RAC, VE9RAC, VO1RAC, VO2RAC, VY0RAC, VY1RAC and VY2RAC. Those contacting one or more of these stations will be eligible for a special commemorative certificate noting their participation in RAC’s Get on the Air on World Amateur Radio Day Event. Note: Starting at 1800Z, VA3RAC will be active in the Ontario QSO Party and will be sending the contest exchange. Stations contacting VA3RAC after 1800Z are encouraged to send their contest exchange in return (state/province/country or Ontario county). For more information on World Amateur Radio Day and the special event please visit: https://www.rac.ca/operating/world-amateur-radio-day-april-18/ Glenn MacDonell, VE3XRA President, Radio Amateurs of Canada Alan Griffin RAC MarCom Director www.rac.ca 720 Belfast Road, #217 Ottawa, ON K1G 0Z5 613-244-4367, 1- 877-273-8304 raccomms@gmail.com Update April 9, 2020:  The use of the VE7RAC call sign is available via application to myself (forwarded to the RAC Regulatory Affairs Officer). Multiple stations can use the call provided there is only one station on each band/mode slot at any time. I will co-ordinate this. Logs are to be sent to dir.bc.yukon@rac.ca and/or regulatory@rac.ca. This is an opportunity for people to get on the air, celebrate World Amateur Radio Day and get a pretty PDF certificate using whatever their band/mode is. ~ 73 Keith VE7KW dir.bc.yukon@rac.ca

iCom Does It Again!

Miniaturization unrivalled by other manufacturers

Following on the heels of the innovative ’DigiTrix’ HF Transceiver Apple Watch app introduced last year at this time [see the April 2019 Communicator], iCom will be releasing its most compact handheld transceiver to date today.

The new iCom ‘Micro’ is a dual band 2m/70cm unit measuring only 3cm high, and weighing 20 grams! This ultra-portable boasts an impressive 5 Watts of power and uses revolutionary new dynamic inductance battery technology for extended operational periods.

The supplied ‘rubber duckie’ antenna is also unique in that is only extends 2cm from the transceiver yet delivers a great signal.

Small enough to fit almost anywhere,  and in any Grab ‘n Go kit, it’s sure to be a hit with the emergency communications community.

Well done iCom!

~ The Communicator March-April 2020